Four loops that drift apart
Bass, low, mid and air — each a short melodic loop of a different length. They slide out of phase against each other, so the combination doesn't repeat for minutes. The music comes from the drift, not from chords.
Most instruments wait for you to play them.
SILT plays itself — you just shape the weather.
A whole generative ambient rig behind one worn reel-to-reel face. Nothing to program — turn a few knobs and listen.
Bass, low, mid and air — each a short melodic loop of a different length. They slide out of phase against each other, so the combination doesn't repeat for minutes. The music comes from the drift, not from chords.
Every note is a gentle plucked tine — warm, bell-like, always in a pentatonic scale so it can never sound wrong. Pick a Mood and a Root and the whole machine stays consonant.
Run everything through a real tape path — pitch wobble, hiss and crackle, level dropouts, and a tone that darkens as you age the tape. Turn on Disintegrate and the loops slowly wear down and regrow.
A tape echo that darkens with every repeat, and a synthesized vintage spring reverb — both fully adjustable and both sitting inside the tape path, so the whole thing breathes together.
Blend in real recordings — morning birds, running water, and the dust of an old record — under the music. Set the weather of the piece with three knobs.
Per-lane level, pan and live VU meters, plus a Sync button that follows your DAW's tempo and transport. Drop it on a track and it scores underneath everything else.
Native code, built for the studio.
Introductory pricing while SILT is in its first release.
One-time. Yours forever, with free updates.
Self-playing instruments, one at a time.